JAson Isaacs is desperate for a tennis game, which is not exactly a secret, because he brought his racket to put himself with him. “Do you play?” He asks me, hopefully, the crew is preparing for another catch.
Few people are bloody Isaacs for having taken advantage of the first -rate facilities in the Four Seasons Koh Samui, which was transformed into luxury resort, The White Lotus for season 3 of the eponymous success of HBO, which made its debut on the 16th FEBRUARY. After a first season in Hawaii which took the dynamics of power and a second season in Sicily focusing on sex, this last episode takes place in Thailand with a scenario entering spirituality and oriental death. Although Isaacs is not entirely convinced of the accuracy of this invoicing.
“There seems to be a lot of power and sex in this one too!” he said laughing. “The human condition does not change much. The characters do not all leave lit, that’s for sure. “”
What is not in place for the dispute is that Isaacs plays the financier of the South Timothy Ratliff, which he describes as a “big cat in the heart of the establishment in North Carolina”. Ratliff is on vacation with his family – played by Parker Posey, Patrick Schwarzenegger, Sarah Catherine Hook and Sam Nivola – while secretly making “the 12 horsemen of the apocalypse galloping paths towards us”, as he says.
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It is a familiar fodder for fans of LotusWho made an artistic form of lampooning entitled Western Vacationers pampered and their relationships worthy of cringing teeth with the staff of the besieged hotel. “Mike likes to write stories about people who seem to lead a life of an extraordinary privilege, but who spend the worst moment of their lives,” explains Isaacs. “No one wants to see the rich have a good time; It gives you exactly what you need – the people whose life absolutely collapses. »»
It turns out that we discuss in the four seasons of the rum jump by the Samui swimming pool, whose walls are bordered by dusty bottles of extremely rare and expensive liqueur. For the end of the shooting, the safe has doubled as a screening room in large part because it is one of the rare reputs controlled by the heat climate of 110 ° F outside. It is a private place on a busy set, but perhaps the bad place to interview someone who has been opened in the past about his difficulties with dependence. Her Lotus The character also seems to have his right part of Demons. “I do not rely on anything,” he shruggles. “What is the theater?” It’s “and so”. What if extraterrestrials came? What if I was a sorcerer? What if I was a soldier in this crisis? So I consciously rely on anything; I try to feel and imagine what the character feels. But if you think when your cat is dead, you are not in the moment. The more I get older, the less I prepare, the less I have the meaning of any technique. »»
It is a revelation perhaps surprising given the range of Isaacs throughout its long career. Born in Liverpool, Isaacs, 61, studied law at university before turning to theater. He made his way towards an international renown with Mel Gibson as Colonel William Tavington in the historic epic 2000 The Patriotmonitoring of acclaimed performance in everything, Black Hawk Down At Harry Potter franchise.
Isaacs was attracted by The white lotus For several reasons, in particular by working with creator Mike White. Made the spiritual aspect of this Lotus The season strikes an agreement? After all, Isaacs was raised Jewish, but concedes today to be a kind of spiritual atheist. “I never believed in a kind of God, which causes problems,” is up shoulders.
Isaacs says that there are few better authors to explore these kinds of things that White, who designed for the first time Lotus And writes and realizes each episode. “It’s just a brilliant storyteller,” says Isaacs. “The glorious thing about Mike’s writing is that it leads you on a path when you suddenly realize that the action is all behind you, or left or right. He therefore extinguished the public. But also the nuance of who you think that these people are when they arrive for the first time and who they prove to be and how they react to situations. »»
This helps that Isaacs and White are well on the same wavelength regarding the creative process. “This is why it is such a joy to work with Mike,” he says. “There is no infrastructure for the scene – it’s a bit where you cry; It’s a bit there that your voice cracks – there is none of this, ”explains Isaacs. “There are actors who plan a performance and you stand in front of them. And frankly, if you look up or take your eyes, they would not change a wink from their plan. I now hope that if you are lucky to have access to writing like this, a man at the helm like Mike who will not let you down, you just arrive and see what is going on.
Not to say that a free wheel approach does not bring its own complications when the script can be exchanged for White’s latest reflection shower at any time. “I found it very difficult,” says Isaacs. “I don’t really know what mood should be, the tone should be, the pace should be. I never left anyone inside the process I did about it. I know that it is true for many of my colleagues, just because we pull out of order, everything is in his head too, he is anarchic; He wants to cause trouble.
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White’s style is certainly very different from what Isaacs experienced on black comedy 2017 Stalin’s deathWho despite his irreverent and spontaneous tone, was actually meticulously supervised by the writer and director Armando Iannucci, the creator of the aggl Veep. “I think I improvised two lines on THE Death of Stalin And Armando never let me forget which! said Isaacs. Although in some ways, Isaacs stops, “they are very similar,” he adds. “Because here is a person at the helm and everyone tries to please dad. If you can make Armando laugh, then you feel like you have done something.
However, working with White requires an act of faith that everything will finally work. “I am older than most other actors [in Lotus] So I have been in a lot, ”he says. “The expectations are so high and, whatever the public does, the process of doing so is quite magical. For me, I got to the stadium where everything is a question of travel. And it is such a gift to be around this crazy Machiavellian at the head of the ship. »»
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Admittedly, the filming process – with actors and crews that live and working in the same complex for months – have designed family ties between each. “One of the reasons why people are attracted to this business concern replacement families,” he said. “Everyone’s mold is a bit cracked. Part of what attracted me when I started playing at university was that there is a ready -to -use village. “Isaacs says that the appeal of show business is not really what the public thinks – red carpets and a -list games – but” precisely this: you are with a group of people, you become very intimate, then You count on each other. “”
However, there is naturally a time when the brilliant disappears. “This step [in June] When we have five or four months, we all recognize that it was a huge privilege, and we look forward to talking to people when we don’t need air conditioning to breathe, “he said. “There is a moment when the whole summer camp wears out and I do not remember having been elsewhere elsewhere, knowing someone else. Or do something else. My real life seems to be a distant memory. »»
